Scott Kingsley Swift
Scott Kingsley Swift
Scott Kingsley Swift is a financial adviser. He founded the Swift Group, a financial advisory firm that is part of Merrill Lynch.
He has a net worth of $1 million.
Taylor Swift’s father, Scott, is a financial adviser and founder of the Swift Group, a monetary advisory firm that is part of Merrill Lynch.
A Tale of a Tub
The first of Jonathan Swift’s satires, A Tale of a Tub was published in 1704 and takes religion, authors, and critics to task. It also explores ideas about oration, ancient and modern philosophies, digressions, and writing itself.
The title refers to a tub that sailors used to toss over the side to distract whales from tipping ships. It’s an apt metaphor for the ship of state and the government’s need to keep dissenters at bay.
A Tale of a Tub was written when Swift was working as the secretary to Sir William Temple. The book’s publication coincided with a rift between Swift and Temple, which cost him his position as an employee.
In the book, he uses a narrative that focuses on three brothers who represent different branches of Christianity. Each brother has his own squabbles and a misunderstanding that leads to a crisis. The narrative is a bit of a mess and it’s difficult to follow.
The Battle of the Books
The Battle of the Books, published in 1704, is Swift’s contribution to a long-running and ongoing Ancients-Moderns Controversy. The satires that precede it, A Tale of a Tub and the Discourse Concerning the Mechanical Operation of the Spirit, address similar topics, but in a more direct and less personal way.
The Battle is a poietic work, which “reproduces aesthetically the dynamic aspects of a reality which is usually held to be non-aesthetic” (Zeraffa, 53). It also enacts Swift’s deepest beliefs about authorship and the nature of literature.
The Battle of the Books epitomizes Swift’s existential stalemate as an author, balancing two worldviews: that of the Ancients, based on a nostalgia for a golden age and allegiance to the perfection of the canon; and that of the Moderns, concerned with topicality and an aesthetics of inclusion. This is the defining feature of Swift’s writing, as he is constantly arguing for the superiority of the Ancients over the Moderns.
The Art of Fiction
A classic book on writing, The Art of Fiction has helped transform generations of aspiring writers. It’s written by a master stylist and is full of good advice on writing errors, plotting and other technical matters.
A central aspect of the novel’s role as an art is its responsibility to represent life. James argues that this responsibility involves the’search for form’, which he associates with the biological metaphor of an organism.
The search is not an attempt to impose existing patterns or apply sterile rules; rather, it is a quest for the most effective way of structuring and narrating the story as a whole. It requires the freedom to explore and experiment with a range of possible methods.
In his earliest essay on fiction, The Art of Fiction, Henry James sets out a complex set of principles on how a novel should be conceived and executed. Those principles are still present in his writing today, although they have evolved and been interpreted in different ways.
The Lay of the Last Minstrel
The Lay of the Last Minstrel by scott kingsley swift was an instant success and made Scott’s name in the English literary world. It was published in 1805 and was the first of a series of long poems that established Scott as a Romantic poet.
The poem tells the story of a sixteenth-century Border feud. It is narrated by an aging minstrel who receives hospitality from Ann, Duchess of Buccleuch at Newark Castle. He also tells the tale of his ancestor, a widowed Lady of Branksome Hall who uses sorcery to prevent her daughter, Margaret, from marrying Lord Cranstoun.
The verse was influenced by the eight-syllabled riming couplet that had been common in the metrical romances of the thirteenth and fourteenth centuries. It was a style of verse that moved more quickly than blank verse or heroic couplet. Many critics found that the meter was too irregular and that the plot was too far-fetched to be taken seriously, but most appreciated it for its merit. Francis Jeffrey thought that some sections were in the very top rank of poetical perfection.
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